It is with the project entitled ‘Belle de Jour’ produced in 2002/2003 that I began to work specifically with women as my primary subjects. ‘Belle de Jour’, is a survey of over 30 colour photographs depicting women in various states of undress, masquerading different roles. The portraits are carefully orchestrated to present the viewer a world of girls who tease the line of the voyeur. The actors have been choreographed to come forth with a remarkable sense of their own sexual persona through lascivious, subversive gestures and defiant expressions. These images expose a budding female sexuality, and call into question an idealized vision of femininity.